拉维依（Ravi）和保罗（Paul）是两个来自英国莱斯特（Leicester）的好朋友，受邀参加一个在印度小镇希莫加（Shimoga）的同志舞会。 　　在舞会中，拉维依结识了俊美的马尼（Mani），一夜春宵后，从此对他念念不忘。他们也在舞会中认识了经营旅馆的中年同志姆堤（Murthy），后者邀请他们前来他的旅馆留宿几天。 　　在逗留期间，他们接触了当地的同志群，面对当地同志文化的衝击，受尽无边春色的诱惑，在情与慾之间周遊。

拉维依（Ravi）和保罗（Paul）是两个来自英国莱斯特（Leicester）的好朋友，受邀参加一个在印度小镇希莫加（Shimoga）的同志舞会。 　　在舞会中，拉维依结识了俊美的马尼（Mani），一夜春宵后，从此对他念念不忘。他们也在舞会中认识了经营旅馆的中年同志姆堤（Murthy），后者邀请他们前来他的旅馆留宿几天。 　　在逗留期间，他们接触了当地的同志群，面对当地同志文化的衝击，受尽无边春色的诱惑，在情与慾之间周遊。

在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

在这部纪录片系列中，作家迈克尔·波伦带领大家探索迷幻药的历史和用途，包括致幻剂、裸盖菇素、摇头丸和麦斯卡林。

安雅·泰勒-乔伊继《后翼弃兵》再和网飞合作，她将主演新剧《如何杀死你的家人》，共8集，改编自贝拉·麦凯的同名畅销小说。 　　网飞联合Sid Gentle影业(《杀死伊芙》)制作，安雅也通过自己的制作公司LadyKiller担任执行制作人，艾玛·莫兰编剧。 　　讲述女主角格蕾丝·伯纳德的生父西蒙·阿特米斯是一名亿万富翁，他冷酷无情，专注在社会往上爬，拒绝承认格蕾丝是他婚外情的产物，因此格蕾丝和母亲只能自谋生路。但当母亲去世、格蕾丝被那些本该伸出援手的人拒绝后，她决定复仇并获得巨额遗产——通过病态的创造性手段杀死这个关系疏远的大家庭，而这也使她走上了与自我意志完全相悖的道路。

安雅·泰勒-乔伊继《后翼弃兵》再和网飞合作，她将主演新剧《如何杀死你的家人》，共8集，改编自贝拉·麦凯的同名畅销小说。 　　网飞联合Sid Gentle影业(《杀死伊芙》)制作，安雅也通过自己的制作公司LadyKiller担任执行制作人，艾玛·莫兰编剧。 　　讲述女主角格蕾丝·伯纳德的生父西蒙·阿特米斯是一名亿万富翁，他冷酷无情，专注在社会往上爬，拒绝承认格蕾丝是他婚外情的产物，因此格蕾丝和母亲只能自谋生路。但当母亲去世、格蕾丝被那些本该伸出援手的人拒绝后，她决定复仇并获得巨额遗产——通过病态的创造性手段杀死这个关系疏远的大家庭，而这也使她走上了与自我意志完全相悖的道路。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

A parody of 1950s corporate/industrial films, commissioned by Universal Pictures executives after the studio's purchase by Seagrams, and featuring cameos by many stars and directors.

Goofy tries to set up his new home theater in time for the big game, with disastrous results.